Feed Me Weird Things Presents: Glenn Jones
special guest: Brooks Strause

Tue, Jul 11 from 9pm - 11pm

General Admission
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Buy the ticket, take the ride.
$11.61 with fees
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Patron of the Weird membership
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The "Patronage of the Weird" membership is designed specifically for those of you who would like to ensure that strange music will continue to permeate the air of Iowa City. Maybe you remember a show at the Hall Mall, Picador, or W/L Wherehouse that challenged or changed your notion of what music was and what it could be. Perhaps you've been a fan of the strange music presented during the Mission Creek and Witching Hour festivals, and want to encourage performances like these more often. Maybe you can’t make it to the performances, but want to ensure that new and odd music is available and affordable to others. This is the most cost-effective way to legitimately call yourself not just a patron of the arts, but a patron of the weird. As a patron, you'll have a subscription for the season. You’ll be on the guestlist for each and every show, and you’ll be named in my personal (awkward, painful) introduction to each performance (it'll feel like you're up there with me, giving me the strength to overcome my debilitating stage fright). Additionally, you’ll be expressly thanked on our lovely playbills and posters. Speaking of which—do you like the amazing design work that tinylittlehammers.com have put into our logo and posters? Well, I'll make sure you get one of each. Other than that, I don't have much in the way of trinkets to offer (but I'll figure something out), because I'd rather use your money to bring the newest voices in modern, avant garde and out-there national and international music to our community here in Iowa City. Through the 15+ years I've been booking and promoting in Iowa City, I've developed lasting relationships with artists, managers, and agents, that now afford me opportunities to book acts that even larger cities don't get, and at a price lower than most major markets pay. This means we can bring ticket prices down for those who may not have the means to take chances on new art. And, if you decide to go the patronage route and have ideas about how we can improve our reach and scope at Feed Me Weird Things, or you’d like to hear ideas I've got for the direction, let's get in touch.
$54.09 with fees
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Tuesday July 11th

Glenn Jones

w/ special guest Brooks Strause 

Volume 1, Edition 4



Glenn Jones is a master of American Primitive Guitar, a style invented in the late 1950s by John Fahey, whose traditional fingerpicking techniques and wide-ranging influences were used to create modern original compositions. Jones, who led the post-rock ensemble Cul de Sac, brings his own made-up tunings, the use of custom-crafted partial capos, and a highly skilled picking style on both banjo and guitar, to create personal compositions that are lyrical, emotive and elegant. What sets him apart from the myriad guitarists playing today is his ability to tell stories with the guitar and banjo, and to convey a range of emotions. This process starts with the compositions themselves and carries through to his selection of recording environment and engineer.

Jones has written extensively about the leading lights of the American Primitive guitar style, namely John Fahey (with whom he was friends for nearly 25 years), and Robbie Basho (Jones was friends with the guitarist until Basho's untimely death in 1986, and hosted the guitarist / singer's final tour of the East Coast).

Jones has also performed with Peter Lang, Steffen Basho-Junghans, Cian Nugent, James Blackshaw, Paul Metzger, Peter Walker, Meg and Laura Baird, Harris Newman, Sean Smith, MV + EE, Dredd Foole, Sharron Kruaus, Tom Carter, Yo La Tengo, Thurston Moore, Chris Corsano, and many, many others.


...an incredibly adept fingerstyle guitarist whose technique always remains in service of the song... His vigorous leaps are daring but never reckless, and nearly always sublime.   - Utne Reader

...captivating... Jones' slide work on the resonator guitar sounds especially meaty, and when all six, and sometimes 12, strings start chiming as he fingerpicks, the effect is shimmering.   - Harp

“Jones has a solid grasp of the fundamentals, not just of his instrument, but also of music-making in general. He obtains attractive and varied tones from his several open-tuned acoustic guitars, and fashions them into involving, carefully drawn and skillfully paced audio narratives that impart emotions ranging from sweet affection to complicated grief… declare[s] Jones to be a musician whose moment has arrived.” – Dusted








Vol.1, 4th edition:


w/ special guest: BROOKS STRAUSE

Tuesday, July 11th 9pm - 11:00pm

Trumpet Blossom Cafe

$10 adv $12 Day of, free for season passholders and patrons



Trumpet Blossom Cafe

310 E Prentiss St
Iowa City, IA 52240

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